I hope you all are staying healthy and managing well in these trying times.
I realize this message is coming to you sort of out of the blue, because I haven’t emailed you in a couple of years. In case you need a reminder, you’re on this list because you ordered my memoir - Nowhere Else I Want to Be, published in 2017 - or followed me in Inkshares.
The reasons you’re getting it: (1) I want you to know about my publication coming out this summer, and
(2) I’m going to migrate this email list to a different platform soon.
ABOUT #1: My prose chapbook, "Border/Between: A Symphony in Essays," will publish on June 30, 2022, from Bamboo Dart Press. A prose chapbook is a short piece--typically 8,000-15,000 words (for comparison, a book’s word count is typically 45,000-100,000 words)--printed and bound as a small paperback.
I’ll tell you more about the chapbook in the first email from the new platform.
ABOUT #2: I don’t intend to publish with Inkshares again, so it no longer makes sense that my current list is housed here.
I’ll say this in the next email, and I’m saying it now: I’ll make it clear how you can unsubscribe from the new email list. You won’t have to stay on my list by default.
Thank you for your support of my memoir and my writing. I’ll connect with you soon.
Peace, Carol D. Marsh
Dear Readers and Supporters of "Nowhere Else I Want to Be: A Memoir:
Dear readers and friends of Nowhere Else I Want to Be: A Memoir -
Hello, friends and readers of "Nowhere Else I Want to Be: A Memoir":
A unique gift idea for the people in your life who are serving others:
1. Purchase a copy of "Nowhere Else I Want to Be: A Memoir" - AND -
2. Contact me (firstname.lastname@example.org) to get a coupon for this DISCOUNTED COURSE that SUPPORTS AND NURTURES people serving others. I’ll send you a coupon that you will give to the gift recipient along with the gift book.
Give a gift of support, nurture and growth! Learn more HERE.
Other gift ideas FOR SUPPORTIVE COURSES to go along with the book:
Contact me (email@example.com) if you have questions or need more information.
May you have a peaceful and joyful season - Carol
Hello, friends and readers of "Nowhere Else I Want to Be: A Memoir" -
Here’s another 5-Star review. This one is from Ryan Lanz at Book Review Directory, and you can link to the original review HERE.
Hello, friends and readers of NOWHERE ELSE I WANT TO BE: A MEMOIR:
This is a short message to tell you about my first podcast inerview.
Janna Marlies Maron, editor of the literary journal Under the Gum Tree, interviewed me about my book a month ago, and produced the interview for her podcast, More to the Story. In it, we talk about my memoir, life and work at Miriam’s House, writing while grieving, and lots more.
She entitled it "Structure is a B*tch, and Processing Grief through Writing Nonfiction."
It’s about 15 minutes long, and you can listen to it HERE.
I hope you’re all well! --Carol
WEBSITE FORUM FOR GROWTH IN SERVICE
Dear friends and readers of "Nowhere Else I Want to Be: A Memoir":
"Nowhere Else I Want to Be" has won the Nonfiction GRAND PRIZE in the Authors Talk About It 2017 Book Contest.
This is the third award won by the book, which has also been awarded the FINALIST in 2017 Indie Excellence Book Awards (Memoir) and a FINALIST in 2017 Next Generation Indie Book Awards (Autobiography and Memoir).
The book has also received 5-Star reviews from Authors Talk About It and Readers Favorites.
And here’s a LINK to an article about the book and me in the September issue of A&U MAGAZINE.
On November 16, I’ll be featured in a podcast interview on Janna Marlies Maron’s More to the Story.
Finally, please bear with me as I drop a broad hint: THE HOLIDAYS APPROACH! "Nowhere Else I Want to Be: A Memoir" makes an inspiring gift:
Best wishes, Carol D. Marsh
WEBSITE FORUM FOR GROWTH IN SERVICE
Hello, readers and friends of "Nowhere Else I Want to Be: A Memoir" -
I’m happy to announce two five-star reviews just in from Readers’ Favorite. One is below in its entirety with a link, the other is just linked. You’ll see when you click on the links that it’s easy to share to facebook, twitter, and other social platforms, so, please, share away! Word of mouth is awesome.
Nowhere Else I Want to Be: A Memoir by Carol D Marsh is an inspiring memoir that redefines the sense of humanity in a world where human values are quickly replaced by an egoistic culture. In this spellbinding memoir, the founder of Miriam’s House — a residence for Washington, DC’s homeless women with AIDS — shares her journey through the first ten years of her project. The reader is immediately transported into another side of Washington, a grim reality of suffering and pain that is ignored by those who hold the power to make the changes that could affect millions of lives. This is a story of one woman’s courage to step out of her world to confront the difficult reality of suffering and pain in others, a journey that is filled with powerful challenges.
Carol D Marsh takes the reader with her through this story, confronting racism at its deepest core, struggling to create spaces where homeless women can experience hospitality and reconnect with their humanity. Readers will meet people like Kimberly, a woman who suffers from alcohol addiction, and Alyssa who longs for a mother’s touch, having been abandoned by her own mother. It’s a story that shows readers how, in the midst of the worst form of suffering, there is a light shining; that in the prostitute, there is a child of purity, and that in the distant, intolerant person, there could be someone wounded, yearning for love. Nowhere Else I Want to Be: A Memoir is a story of love and compassion, a memoir that brilliantly articulates values that our society needs to be a better place. I enjoyed how Marsh’s sense of humanity comes across in her narrative. I was stunned by her courage and her selfless spirit, reaching out to embrace the destitute in very difficult and trying circumstances, most often putting her own life in danger. This book - just like the work of Jean Vanier, the founder of L’Arche - will change the way we look at others, especially those less fortunate than us. It brought tears to my eyes and awoke deep sentiments of compassion and a love I haven’t felt before. (Reviewed by Divine Zape) Read original post HERE
Read second interview HERE
Thanks as always for your support of "Nowhere Else I Want to Be: A Memoir".
WEBSITE FORUM FOR GROWTH IN SERVICE
Hello, readers and friends of "Nowhere Else I Want to Be":
Happy Fall, everyone! I thought you’d like to know that the September issue of A&U Magazine has a lovely article about Miriam’s House, my book and me - "A Calling and More" - by Tammy Banks.
Read the first few paragraphs below, then click on the link to read the rest of the article.
For Carol Marsh, starting Miriam’s House was something that she felt called upon to do. “It felt like coming home,” she recalls, “and I think that is the hallmark of a calling.”
Marsh founded the Washington, D.C., residence for homeless women with HIV/AIDS in 1996. But in many ways, she had been moving toward this kind of work since her teen years, when she’d read Catherine Marshall’s Christy. The 1967 bestselling novel about a young school teacher doing her damnedest to bring education to children in Appalachia had fired Marsh’s imagination: She’d seen herself as being “a benevolent helper of others” and making sense of all “the cruelty and inequity” in the world. There’d been comfort in “dreaming of a life of service in which I would make things perfect for some small village or group of children. For that they would, of course, love and appreciate me.”
But the path to our true callings is seldom a straight one. We take wrong turns, get waylaid, or lose sight of where we’re headed. “I lost that vision for a while,” Marsh admits. “I moved to Washington, D. C., at thirty-five, and that’s when I reconnected with a passion that had been mine as a teenager.”
She threw herself into the work of bringing her vision of Miriam’s House to life. “We didn’t want to create a cookie-cutter program that forced women to comply or leave,” Marsh writes in her memoir Nowhere Else I Want to Be (Inkshares 2016), “so we opted for an open-to-the-possibilities, organic kind of growth that, while it achieved its goal of allowing residents to help shape this new program, also left us in chaos much of the time.” She started out “with a few rules about sobriety and violence and being able to live cooperatively in community” but soon realized that she needed to go beyond that.
For the disease was, she saw, only part of the story that each woman brought with her. The other part of the story—call it the back story or the subtext—was even more disturbing. (At Goucher College, she was, Marsh explains, encouraged to dig deeper and go “underneath the stories.”) Juanita, for instance, had begun shooting up at fourteen in an attempt to escape from a reality that included savage beatings by her own mother. Alyssa had been pimped out by a drug-addicted mother when she was twelve; despite that, she still loved and kept reaching out to the parent who never came to see her during her time at Miriam’s House.
READ THE REST OF THE ARTICLE HERE
Have a great day!
WEBSITE FORUM for GROWTH in SERVICE
Dear Readers and Friends of "Nowhere Else I Want to Be: A Memoir":
Authors Talk About It gave me a Featured Author Interview today - here’s the article (or link to the post HERE):
Carol D. Marsh
Carol D. Marsh: I’m a 62-year-old woman living in Washington, DC with my wonderful husband. When not writing, I’m marketing my book and my online school, going to the Y for a work-out, knitting, reading, baking, or (a good bit of the time) managing chronic migraine pain.
Marsh: I’ve written as long as I can remember. Small notes to my Mom, birthday poems for family members, the usual (bad) teenage poetry and essay attempts. My serious writing, meaning not for work or fund-raising, began in 2010, when I started my memoir.
Marsh: Nowhere Else I Want to Be: A Memoir was published in January 2017. It’s a work of literary nonfiction that got its big push at the Goucher College MFA program (2012-2014). And I’ve had a couple of essays published this summer, one in The Los Angeles Review, the other in Lunch Ticket.
Click here to get your copy!
Marsh: Its combination of creativity and intellect, and the way I feel while I’m writing and in the hour or so after I’m done. I also love the rewriting process – finding the right word or phrase, testing how the words feel in my mouth, getting to the precise point or meaning. It’s so rewarding.
Marsh: Getting past the inertia of anxiety and the feeling that I’m not actually a writer. Not, at least, in the way I assume other writers are. I have a sense I’m not good enough to express this emotion, or make that argument, or say this thing about something important. My journey as a writer has been, in part, about trusting my own voice.
Marsh: I write nonfiction and memoiristic essays, so my ideas come from my life, by way of my heart.
Marsh: My writing process is choppy because I have chronic migraine disease and am unable to establish a regular, daily practice. But I’ve learned to write when not in too much pain, and to let it go when in a lot of pain. I’ve had to ignore the common wisdom about writing for five hours a day, but I suspect most of us do. Who has the luxury of all that time? Certainly not parents, or the employed, or students, or … you get the message.
Because of that, my writing process never runs on momentum. I manage by fits and starts, and have had to learn not to let the fits keep me from starting. And then, having to start again. I’ve found if I accept my process’ choppy nature, I worry less about not having a regular practice, which gives me more energy to write when I can.
Marsh: I have to guard against the writing taking over because too often I seem to veer into the fanciful or the made-up. As though I’m writing how I want something to have been rather than how it was in reality. This is partly because writing a scene means getting to details – sound, smell, sight, etc. I end up questioning myself at the end of a writing session that has got away from me, wait, was the wind really blowing so hard that day? Or was that a different day? Did she actually say that in so many words?
At Goucher College, where I got my MFA, we were told not to make sh*t up. Honestly, that’s one thing for long-form journalism, and quite another for memoir. Not that writing memoir is an excuse to make sh*t up. It’s not. But we’re so often writing about something not researchable as fact. We rely on our memories or the memories of others. And memories are notoriously sketchy when it comes to reliability. So a memoirist needs to hone her integrity and closely monitor how she writes through inevitable memory gaps, working to not fill them in with sh*t. Plus, she takes advantage of research that can help with accuracy, such as public records, weather reports, home videos and photographs, and diaries or journals.
Marsh: Oh, dear, that’s hard to say. If I have to choose, I’d say it’s not one part, but the scenes in which we’re together as a community. (My memoir is about ten of the years I worked and lived at Miriam’s House–a residence for Washington, DC’s homeless women with AIDS–as its Founding Executive Director). I tried to recreate the sounds and language and feel of our gatherings. They were fun to write and are fun, now, to read.
Marsh: I have a couple of essays in the works, and am started on a new full-length project that I’ll be mysterious about for now.
Marsh: Two places: 1) my website, http://www.caroldmarsh.com/; and my online school,http://forumatcaroldmarsh.com/ (Forum for Growth in Service — support and challenge for people who want to serve others authentically, compassionately, and effectively).
Marsh: Thank you so much for this opportunity.