Jul 31, 2017
Dear Readers and Friends of "Nowhere Else I Want to Be: A Memoir":
Authors Talk About It gave me a Featured Author Interview today - here’s the article (or link to the post HERE):
Carol D. Marsh
Carol D. Marsh: I’m a 62-year-old woman living in Washington, DC with my wonderful husband. When not writing, I’m marketing my book and my online school, going to the Y for a work-out, knitting, reading, baking, or (a good bit of the time) managing chronic migraine pain.
Marsh: I’ve written as long as I can remember. Small notes to my Mom, birthday poems for family members, the usual (bad) teenage poetry and essay attempts. My serious writing, meaning not for work or fund-raising, began in 2010, when I started my memoir.
Marsh: Nowhere Else I Want to Be: A Memoir was published in January 2017. It’s a work of literary nonfiction that got its big push at the Goucher College MFA program (2012-2014). And I’ve had a couple of essays published this summer, one in The Los Angeles Review, the other in Lunch Ticket.
Marsh: Its combination of creativity and intellect, and the way I feel while I’m writing and in the hour or so after I’m done. I also love the rewriting process – finding the right word or phrase, testing how the words feel in my mouth, getting to the precise point or meaning. It’s so rewarding.
Marsh: Getting past the inertia of anxiety and the feeling that I’m not actually a writer. Not, at least, in the way I assume other writers are. I have a sense I’m not good enough to express this emotion, or make that argument, or say this thing about something important. My journey as a writer has been, in part, about trusting my own voice.
Marsh: I write nonfiction and memoiristic essays, so my ideas come from my life, by way of my heart.
Marsh: My writing process is choppy because I have chronic migraine disease and am unable to establish a regular, daily practice. But I’ve learned to write when not in too much pain, and to let it go when in a lot of pain. I’ve had to ignore the common wisdom about writing for five hours a day, but I suspect most of us do. Who has the luxury of all that time? Certainly not parents, or the employed, or students, or … you get the message.
Because of that, my writing process never runs on momentum. I manage by fits and starts, and have had to learn not to let the fits keep me from starting. And then, having to start again. I’ve found if I accept my process’ choppy nature, I worry less about not having a regular practice, which gives me more energy to write when I can.
Marsh: I have to guard against the writing taking over because too often I seem to veer into the fanciful or the made-up. As though I’m writing how I want something to have been rather than how it was in reality. This is partly because writing a scene means getting to details – sound, smell, sight, etc. I end up questioning myself at the end of a writing session that has got away from me, wait, was the wind really blowing so hard that day? Or was that a different day? Did she actually say that in so many words?
At Goucher College, where I got my MFA, we were told not to make sh*t up. Honestly, that’s one thing for long-form journalism, and quite another for memoir. Not that writing memoir is an excuse to make sh*t up. It’s not. But we’re so often writing about something not researchable as fact. We rely on our memories or the memories of others. And memories are notoriously sketchy when it comes to reliability. So a memoirist needs to hone her integrity and closely monitor how she writes through inevitable memory gaps, working to not fill them in with sh*t. Plus, she takes advantage of research that can help with accuracy, such as public records, weather reports, home videos and photographs, and diaries or journals.
Marsh: Oh, dear, that’s hard to say. If I have to choose, I’d say it’s not one part, but the scenes in which we’re together as a community. (My memoir is about ten of the years I worked and lived at Miriam’s House–a residence for Washington, DC’s homeless women with AIDS–as its Founding Executive Director). I tried to recreate the sounds and language and feel of our gatherings. They were fun to write and are fun, now, to read.
Marsh: I have a couple of essays in the works, and am started on a new full-length project that I’ll be mysterious about for now.
Marsh: Two places: 1) my website, http://www.caroldmarsh.com/; and my online school,http://forumatcaroldmarsh.com/ (Forum for Growth in Service — support and challenge for people who want to serve others authentically, compassionately, and effectively).
Marsh: Thank you so much for this opportunity.