Dear Readers,
This morning I sent a brilliantly edited manuscript (thank you Jennifer Sahn) of the book you supported to its publishers at Inkshares. It will now move on to proof, design and then to the printer, soon after which you will have your copy.
In the meantime, here’s a teaser: The Preface.
Why This Book and Why Now
I decided to write this book while researching it’s predecessor Conservation Refugees, an investigative history of the hundred year conflict between global conservation and native peoples. Quite frequently, in remote communities around the world, I would be asked by a shaman, elder or chief: “Do you know the Haida?”
I had heard of the Haida, and seen their remarkable art in museums. But that was about it. “Why do you ask?” I responded. “Because we want what they have,” was the general response. And by that it turned out they meant “aboriginal title,” a form of land tenure that gives indigenous occupants of a traditional homeland final say over who lives there, who is and is not a citizen of that land, and how and by whom resources will be extracted and used.
How did a small remote band of seafaring aboriginals who had lived for millennia on a remote archipelago in the north Pacific get all those things back from a British colony that had usurped them, one by one, in the eighteenth century?
This book is the answer to that question. It’s not a simple answer, but I have tried to make it as clear and understandable as possible. Nor was it an easy path for the Haida. It took fifty years of political strategizing, legal maneuvering, alliance building, information gathering, public campaigning, blockading, media manipulation, land use planning and astute negotiation alongside long hours of self-examination, deliberation, historical reassessment, debating, careful planning and finding common cause with rivals. And for the Haida, the struggle ain’t over yet. But they’re a lot closer to their goals than most other indigenous communities around the world. Their story is not only a lesson, it’s an inspiring tale of resilience and determination in the face of two centuries of persistent rudeness, oppression and exploitation.
***
There is an endless debate amongst historians, anthropologist, journalists and indigenous peoples about what to call the original inhabitants of the New World. “Indians” is insulting to some, as is “Indios” and “Amerindian”. The main problem with “Indian” is that it overlooks the enormous diversity and ignores the true names and wildly differing cultures of native Americans on two continents. “Native” has been coopted by nativists. “Aboriginals” tend to be identified as Australian natives, although aboriginal (literally: “from the origin”) pretty much describes “First Peoples” everywhere, and the word is used quite frequently in international law. “Indigenous peoples” seems to offend no one, but is rarely used for self-description of specific “tribes” or “tribals” (I’ve lost count of how many times I’ve been asked not to use those terms.)
Although it is almost exclusively a Canadian term, I use “First Nation(s)” to describe indigenous communities around the world, because no matter where they are, that term pretty much describes what many, although be no means all of them were before contact, a legitimate and sovereign nation that preexisted the arrival and occupation of European settlers. They were there first. Not all of them had laws, a constitution, or what we would today regard as a national government, but they all had land, bordered territories and hunting grounds that, along with a culture, language and a distinct peoples they defined as a “nation.”
Another term I’ll use a lot, because Canada does so in most of it’s legal proceedings is “the crown” or “the Crown.” It can mean the state, the federal or provincial government or in early colonial history it can mean the royal place at the capital of an empire or it can literally mean the sovereign imperial monarch who wears the crown — George of Britain, Ferdinand of Spain, Louis of France or Maria of Portugal. However it is defined, “the crown, as I use it, is the power with which First Nations have had to and still have to contend.
***
You will notice that I have used very few proper names in telling this story. That will seem strange to many readers, particularly those who enjoy reading about colorful personalities or have read enough Haida history to know that there were definite heroes, men and women who sacrificed much in their long battle for freedom and self-determination. But I have minimized using names and profiling heroes because the Haida are a profoundly modest and anti-narcissistic culture, and it’s their story that the indigenous world wants to know, a story of collective leadership not individual heroism, of patient determination not celebrity biopics or amusing anecdotes about colorful elders, warriors and hereditary chiefs. This does not mean that they’re aren’t creative, selfless, tireless Haida leaders, who have served faithfully in key positions of power. In fact while traveling the islands and researching this book I found some of the most remarkable people I have ever met.
But one of the characteristics that stood out for me about Haida leaders, men and women alike, is that they do not strive for reverence, fame or name recognition. What they do, they do for their community, not just for themselves, their immediate family or historical recognition. As one former Haida Council President observes: “Focusing on the individual is not the Haida way.” OK, I’ll tell you his name. It’s Guujaaw, an affable, mischievous, humorous and brilliant man, a talented artist and drummer, who inspired and shepherded many of the decisive Haida battles of the past half century, and served as President of the Haida Nation from 2000 to 2012. We had two long conversations while I was in Haida Gwaii, one sitting, one walking. I still have cramps in my right hand from taking notes.
Of course the Haida are acutely aware of what Guujaaw and other leaders have accomplished, and those men and women are held in high esteem. But their goal is not fame. It is, in a word, independence, which they know is something that cannot be won by one or even a handful of people. It is won by a nation, as the story in this book attests. What the Haida would like the world to know is what they have accomplished … the how of it, not the who. They know that what was said or written or done is more important and relevant to other indigenous peoples than their names and personal stories.
So I tell their story as a series of well-timed decisions and actions because it is those events, not the colorful individuals who designed, executed or led them that needs to be understood by native leaders around the world who asked that pressing question: “How did they do it?”
***
While the Haida created a strategy for self-determination that worked, there are scores, if not hundreds of First Nations around the world for whom these tactics would not be appropriate, at least not yet. Their situations are so dire, so uncertain and their oppressors so aggressive and potentially violent that blockades and litigation would simply be futile, even dangerous.
However, there are hundreds, perhaps thousands of indigenous communities, some larger, some smaller, that exist entirely under the sovereignty of a nation state that absorbed them, without consultation, assuming complete tenure and title over their land and licensing its use and extraction of resources to anyone they pleased. It is for them this book is written.
Dear Friends
There are only 24 hours left to get a signed copy of Too Many Controllers, the anthology that I’m part of with another 14 talented authors.
As I have told you before, this anthology is participating in the current Nerdist contest. We are in first place, and we want to stay there, so I need you to order a copy right now.
Too Many Controllers is a collection of fifteen short stories across genres, time and realities connected by one theme: video games. We all love video games, or know someone who does, so there are no excuses not to get it.
Also, this collection is pokemon free, and I know many of you will appreciate that!

Have a fantastic day
Greetings Destiny-followers,
We have the ancient Egyptians to thank for many things: paper to write books on, black ink to write books with, beer to inspire books about. But the most pressing ancient Egyptian invention, for Destiny Imperfect at least, is the 24 hour clock - for it is the next 24 hours that will decide the immediate future of Destiny. We currently sit third. First is not an option – they’re too far ahead. Second is. As is fourth. We need a second or third finish to be successful!
So what can you do? I’m glad I asked. If you are a follower of Destiny Imperfect and want this book to fly like the sun god Ra himself, then head off to here and hit the pre-order button. If you have already pre-ordered Destiny, then charm – like the good Cleopatra herself – and persuade friends and family that Destiny Imperfect is worthy of a small investment. Destiny Imperfect will only happen because of you good people, and I thank you all.
Have a tremendous 24 hours! I know I will!
Peter
Yup, here we are; the last day of the Nerdist Video Game Contest.
If you haven’t heard, I’m participating with 14 other extremely talented writers in an anthology that you can pre-order now. I feel privileged to part of this group of fantastic artists and I believe you will be impressed with what they have to offer. However, if you’re looking to be part of the action. If you want to get a signed copy with whatever other bonuses we throw in. If you’re the kind of person who likes to point at cool things and say "I was a part of this.", then you better hurry my friends. July 15th at 3pm EST, the contest is over.
We want to finish with a bang. You want to be part of the action. So follow this link and get yourself this 1-Up of a book. It’s your last chance. There are no save points.
Back to A God in the Shed content soon...
JF
As a side note: How did we not name the e-reader level ’DLC’ for our campaign?
This week I’d like to use my author spotlight to bring your attention to one of the top-level entrants in the Nerdist competition: Destiny Imperfect.

This book promises to be an absolute mindscrew. The idea of a world where virtual reality and actual reality are so closely intertwined that it’s a challenge just to differentiate between the two is so full of potential. The places this story can explore from a psychological standpoint are endless, and based only on what I’ve seen so far, it looks like Destiny Imperfect is going to throw me into a full-on existential crisis. But in a good way.
Seriously check out this book. I want it on my shelf right now.
Lemme tell you about Christopher Irvin… This guy is the author of WRESTLETOWN, a book with a title so intense it can only be written in caps, g*****it! A book with a premise so creative, it can only be truly expressed by its amazing cover art and in-book illustrations. ...and Chris’ Inkshares page for it also does an excellent job explaining it, of course. See for yourself!
Chris is also the author of “Burn Cards,” “Federales,” and more dark, gritty crime fiction. I’ve always been a huge fan of noir stories, but sometimes I need to get away from the mid-20th Los Angeles of Raymond Chandler and see some unexplored, modern locales, to read some stories with modern themes and meaning. I think “Federales” is going to do that for me, taking place in Mexico, deep in the cartel wars. More horrible people doing horrible things to each other…
Were you thinking that would lead to something about “The Animal in Man”? Well, Chris was gracious enough to feature my book as a guest blog on his website, so if you want to know a little more about my story’s exploration of violence, you can get your AiM Reader Update fix over there. Thanks again (to Chris Irvin, to everyone!) for your continued support of The Animal in Man.
This is not a drill...only one day left to get your preordered, first edition copy of the gaming anthology Too Many Controllers. I will be contributing a cyberpunk short story to this future masterpiece, and if you are a fan of Deus Hex Machina, you are gonna want to read this story because it’s canon. Tomorrow the funding period ends on TMC, so now is your last chance to get your copy.
I am in the planning stages of my short story, but will have it completed by the end of the month. Here’s the premise: Amiina Kym is a brilliant research scientist, the sort who graduate from med school at 18 and complete grad school in a year. Being in the 28th century, she attended university virtually, she spent her entire grad school career working to create a cure for the horrible disease that killed her mother. But she’s at an impasse.
First there’s the fact that she’s living out on a floating algae farm off the coast of Orange County. It’s not exactly like you can get research supplies easily when you’re on a former oil rig in the middle of the Pacific Ocean. Second is that although she’s narrowed down the last component she needs for the serum, that component no longer exists; it was killed off centuries ago by the Los Angeles Plague.
So Amiina is stuck in her research, stuck in a dead end job playing nurse to a bunch of crotchety algae farmers, stuck without a degree to justify the time and expense she’s poured into this serum. The only thing that saves her from going completely insane is Dyad Online, the VRMMO she spends every spare moment playing, and her dashing battle partner known only as Harrow. When fighting the last boss of the game becomes much more than just getting the world first kill, Amiina learns that digital decisions have real world consequences.
Right now I’m running with the working title of "Final Boss," and I’m excited to delve into a world of high stakes gaming, digital adventure, and virtual romance. Want to know more about Amiina? Then preorder your copy of Too Many Controllers today and find out which DHM character makes a cameo!






Hi Everyone!

Hi friends! This contest is coming to its finale very soon! This is my CALL TO ARMS – it’s time to act! Pre-order Too Many Contollers right now, no more dawdling!
It’s much more than an e-book or a copy for your shelves; this is an opportunity to support the little guys, the people who work hard to reach for their dreams. The people who have real talent and need a break. This could be it and YOU should be part of it.
For the price of a few gourmet coffees you can help this campaign succeed, while being a part of something unprecedented (The first anthology from this publisher).
I need you. We need you!
I love you guys, thanks for the continued support. You truly are the best people I know!