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It’s 7:48 in the morning, I haven’t even had my coffee yet, and I’m watching as they’re hauling my body out of the river. I’m an Upload, a clone. They’ve mapped my genes, replicated my DNA, made a copy, and now I need to solve my own murder.
Melissa Ellis liked an update for These are my Friends on Politics

I bought a book. Now what? 

This is the first update I’ve dispatched since These Are My Friends on Politics reached its full funding goal and became a real published book that a real publishing house is putting into real bookstores instead of the unprofitable ones I see in daydreams. So a thank you — to everyone who bought in, followed along, shared it with others and otherwise showed support for this little ray of light in this insatiable nightmare of an election year — is overdue. 

But it’s overdue for a reason, because rather than thank and leave you with a vague "you’ll get it someday!," I wanted to show my gratitude by letting you know exactly what’s happening with your support. (And I wanted to know what I was talking about before I started talking.) 

So here’s what’s happened. I sent in the manuscript and the initial cover design. Inkshares’ production partners at Girl Friday sent both back with some notes and some ideas about modestly bumping up the page count to hit the magic 64-page printing number (long story having to do with printers and multiples of four) and very possibly give the book the hardcover treatment (at no extra cost to you, of course) instead of the softcover treatment. (No promises yet on that, because I don’t know if it will happen, but it could happen.) I made a batch of new pages, lightly touched up a few existing pages, and handed in version 2. They sent back a few more notes, I did a last round of small touchups, and then I cropped and sized the pages so that they’re printer-perfect before handing in version 3.

And here’s what happens next. While the production wizards take those pages and assemble them into a sharp-looking book with all the interior and exterior necessities it needs, the marketing wizards at Inkshares are ramping up an extensive (word not used lightly — it’s extensive) plan to put the book inside national and independent bookstores and in front of media large and small that cover not just books, but politics and current events too. All of these wizards and plans are joining forces to coordinate a far-and-wide-reaching release in October, and if you’re a backer, you’ll have your signed and numbered copies of the book most likely a month before that October release date. (Again, that’s not ironclad, but based on what I’m told and on my own experiences as a backer of other authors’ books, backers getting their copies a month early seems to be the norm.)

So that’s the roadmap. It’s lengthy (even though it’s hyperloop-fast by book publishing standards — these things almost never happen inside of a year, never mind six months), but it’s that way because a lot of talented people are using really impressive resources to give this book the best possible chance it could ask for. When I said back in the campaigning stage that fully funding this thing is a (to borrow a phrase from the great Eddie Olczyk) tremendously tremendous deal, this is what I had in mind. So thank you for helping make that a reality.

5+2+1+1+6 = 15 

As is customary with these updates, I’ll close it out with the best thank you gift of all: some new pictures of Nina, who turned 15 on May 21 but whose face and table mannerisms remain indistinguishable from those of a puppy. Enjoy, and thank you again.  




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    Melissa Ellis liked the forum thread, Something negative I'm sorry to say
    I’m going to do something I shouldn’t 

    Again.

    and moan

    Again.

    There is a book on here that has made over half the sales needed to be printed by inkshares, and it has me concerned. I’m concerned because it is truly awful, from the writing to the story line, even to the title. 

    I’ll never divulge who I think this is as this would only hurt someone who is trying to make their dream come true. 

    Except everyone reading this, including perhaps the author of the "truly awful" book in question, will have a theory as to whom it is. It isn’t hard to narrow this down if people are so inclined to do so. And even if those guesses are wrong, there’s a strong likelihood that someone, and maybe more than one someone, IS getting hurt from this.

    It’s actually rather unpleasant of me to be so critical, and I was reluctant to say anything. 

    It IS unpleasant, precisely because you haven’t really been critical at all and haven’t said anything at all to the person whose book you’re publicly trashing. You’re just taking a passive-aggressive potshot that helps absolutely no one. If your concern is for their feelings and not your own, why not reach out and offer some constructive criticism? Why do this instead? 

    But it did make me wonder about the value of good writing vs good marketing or simply good networking on inkshares.

    I’m concerned because I do not have the ability to market or network etc, and fear that even half decent writing, with a good story, simply will not do anywhere near as good as someone with rubbish writing, but good skills networking etc.

    I’m pretty sure I’d make 1 sale if I dared put it out there. 

    You would have made at least that many, because I would have bought a copy based on what I’d read on your project page back in January. I don’t think I’m the only one. But every time I’ve seen you on this site since then, you give off the air that you’re just here slumming it with people who are beneath you while you wait for your publisher to have a change of heart and/or competence. And I honestly wonder, for all your talent, whether you care about your own project as much as some of the "truly awful" writers care about theirs. I’d never say you don’t, because I don’t know you, but this is the impression you leave.

    Yes, marketing and networking go a long way on here. I’m lousy at both and hate doing both but I forced myself to deal with my misgivings and figure it all out because I didn’t have a choice if I wanted to make it. And I made it. You can do the same. Exceptions certainly apply, but the good work typically separates itself on here so long as that work’s author is bold enough to audibly stand behind it. But you need to embrace this method of publication and the community it’s created rather than (again, as appearances suggest) regarding it as some second class kindergarten for people who don’t deserve to be published. If you can’t do that, and if you wish to keep rapidly burning bridges instead of building them with the many, many, MANY people in this community who will gladly go to bat for good work, you should just pack up and go somewhere else. The previous pity party bellyaching was merely tiresome, but now it’s getting malicious.
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