To my incredibly patient followers and readers,
Let me begin by thanking you profusely. Thank you for your continued support and interest, for messaging me, stopping me in the office, or spotting me randomly in a store and asking me when the Hell After Death is going to come out.
It makes me feel terrible for the long wait, but it also makes me feel good that so many people are excited to read this novel on which I’ve now spent ten years of my life.
I apologize for the delay. Much of that is simply out of my hands, as I’m merely one of many talented authors whose work is being developed and published by Inkshares, and each of them are as anxious and as deserving of attention as I.
That said, my number has been called. And over several conversations with Inkshares CEO Adam Gomolin — over email, phone, text, and in person — a plan has been hatched to, yes, once again restructure the novel, this time sharpening its focus on the characters of Cara Lindley and her grandmother Meryem Nurzhan.
The character of Icara Lightfeather and her entire storyline is going to be cut from the book. (Boy am I glad I didn’t pull the trigger on that tattoo of the compass from the map of Icara’s planet!)
Let’s please take a moment to admire the incredible work of artist Andy Gouveia, who created the map for me.
To those beta-readers who considered this aspect of the book their favorite part, I can say only that Icara and her world will most certainly one day see the light of day in some other shape or form (these things almost always eventually do), and that I have every intention of cannibalizing the crucial plot elements from her storyline in service of this more honed concept.
Meryem’s backstory will be expanded even further, going into deeper detail regarding the previous outbreak of the plague in Kazakhstan and her life in the years between then and her emergence as the world’s preeminent expert on the Fever.
Some of the novel’s trippier aspects will survive, but will be made far less prominent, and the book will center more on how three generations of one family were affected by a disease, becoming less Cloud Atlas and more Sharp Objects, which — you know what? — is going to be pretty cool and a lot more accessible.
This will take time, of course. Adam’s hope is that further developmental editing will take eight months or so, with our eyes set on a potential July 2020 release date. Whether that comes to pass obviously depends on a number of factors, not the least of which is my own ability to pull it off.
But I am eternally humbled and grateful to all of you who have stuck by me through this, and who continue to anticipate this novel’s eventual publication. It means so much more to me than you can possibly know, particularly at this moment in my life.
In the meantime, please consider picking up a copy of Writing Bloc’s ESCAPE! An Anthology. It’s packed with twenty gripping tales of escape, including my short story "The Grave Ordeal of Jawbone John South," about an 1885 bank robbery gone very wrong when an outlaw attempts to evade the authorities by ordering his gang to bury him alive with the stolen loot.
If you are so inclined, you can also pick up a copy of my short story "The Equestrian," the slim tale of a jockey and his horse, and the night of horror that would bestow upon both an incredible ability and a terrible curse.
I’ve also gone and uploaded a bunch of my poetry, essays, and film criticism to my website, Dan-Lee.net, including my poem "Ode," which was previously published in the Santa Clara Review literary journal, "Incidents in a Traffic Jam," the piece that made me a California state finalist for the National Poetry Slam, and my critique of The Curious Case of Benjamin Button, which went unexpectedly viral a couple of years ago.
If you have some free time, please do check that stuff out!
You are all so wonderful. And I can’t say enough how much I appreciate not only your support and patience, but that of the friends I’ve made through being part of the Inkshares community. I’ve never met a more supportive group of writers.
I’ll try to do a better job of updating more frequently, but if you don’t hear from me, please be assured that I am hunkered down, doing the work. And that one day in the not-too-distant future, you will find out what happens After Death.
Hey there, comrades. Today was to have been the day. While I need to relay to you that there is a delay, it’s not so disappointing (to me) because it bodes of us talking meticulous care to get everything right. Inkshares has been incredibly generous to me in the "final" steps and has allowed me latitude that I greatly appreciate. That freedom, however, came with the need for another diligent proofread, which is underway.
Langston Hughes asked what happens to a dream deferred, and while his inquiry is about something much more profound, what is happening with Disintegration is that it will become the best version of the book with which both I and Inkshares can be mutually satisfied. And with which we hope that you, after so long a wait, will also be pleased.
Thank you for your continued patience, or your failed memory of this protracted affair, whichever is more accurate. ;-) The word from Inkshares is that everything will finally culminate around this time next month, which just happens to be the week of my godmother’s and my sister’s, her son’s, and my ex’s birthdays (and also Billy Joel’s and Steve Yzerman’s, and the kid who used to live across the street from me. It’s a birthday bonanza). So, lots to celebrate.
Remember, the conflict within the book has been raging for 183 years. This little deferment? Just a drop in the bucket.
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Howdy, folks. Only a day remains in that 72-Hour Challenge I announced on Saturday afternoon. So far, the response has been rather light. Please help me nudge that pre-order total a little higher. It will influence the editors’ decision whether or not to publish Bane of All Things.
Consider this:
“If half the people in the world who are trying to publish a novel disappeared tomorrow, publishers and agents probably wouldn’t notice.”
No, that’s not a twist on Thanos and his finger snap in Avengers. This is the hard truth spoken by a friend of mine in one of his writer workshops. As someone who is a published author and also works in the industry, he knows what he’s talking about.
His point is that publishers are overwhelmed by hopeful authors in waiting. There are more great manuscripts on their doorstep than they have the capacity to publish. Making the hard choice between this great manuscript or that one often comes down to the author – are they reliable, professional and not an a-hole?
If this sounds like an interview for that dream job everyone wants, you’re right.
Inkshares is different than a traditional publisher. Here, it is the potential of the manuscript, the character of the author AND that pre-order total. A strong pre-order total shows there is a community willing to support the author and their work. This grass-roots validation influences the Inkshares editors’ opinion about the potential of the manuscript to do well.
It’s fair to say that 400+ is a strong pre-order total, but we have the opportunity to make it even stronger as we wait for the editors to complete their review of BoAT.
So, I am asking you, hat humbly in hand, to help me nudge that pre-order total just a little higher by placing another pre-order or recruiting a friend/family member to the cause.
Cheers
Leo