Small update first: I’ve filmed a video introducing the world and the characters of The Underneath. You can watch it here, and then please send it to friends and/or family who you think would be interested in this story.
I really, really, really wanted to have chapter four posted by today. This is a chapter I want to get 100% right -- this is the first real turning point of the story. The end of the first act of the first act, so to speak. Things can never go back to the way they were. You’ll see what I’m talking about when you read it.
Even though I’ve missed my self-imposed deadline, I thought I’d still give you guys a little teaser:
Chris hadn’t been happy -- of course he hadn’t -- but Freya knew how best to get him to go along with her: don’t give him a choice. She hated pulling the tactic, but also hated that he felt he should have any concern or control over the investigations she chose to pursue on her own time.
The pair of contact lenses she was wearing connected to his console back in the East City, as did the device nestled within her ear canal. Chris could see and hear everything that she could, and she would be sure to remind him how lucky he was not to be breathing in the oxygen-rich atmosphere permeating the Sapien reservation she was now entering.
She’d rarely seen so much green. Plants formed mountainous structures and entwined themselves with the buildings the Sapiens had built from the ruins of their prior civilization. In some cases, the vines and trees themselves formed the walls of the buildings, with natural entrances created by the rising trunks and branches.
To get to this point, Freya had taken the Commonwealth National Transit as far north as it would go. She’d enlisted her new friend Galen Briggs to provide transport the rest of the way.
Oh, she was much better at making friends with civilians than enemies, a trait that had done her well as an officer. She just wasn’t sure how it would carry over with the Sapiens.
It was easy enough to tell where the central hub of the establishment was. A large white dome escalated over the green of the horizon and at the top, a large cross attached on the back of a statue showing man gasping for air in his final moments of life -- a symbol of the old Sapien religion. It lacked, like the rest of the landscape, the color red.
Two guards stood at each side of the entrance awning. They carried machine guns across their body -- a weapon so deadly efficient it had survived the apocalypse to the time of the Superiorii.
It was clear they regarded her with suspicion. The grips they held on their guns tightened and their trigger finger pulled back, ready to be called into action at any moment. She raised her hands and walked through the metal and weapons detector without alarm. The guards barely loosened their grips as she entered the building.
Wanna see something really REALLY cool? Was going through an old file-cabinet over the weekend and found a bunch of materials from the early days of The Amaranth Chronicles.
We originally started mapping out the story using flashcards and pinned them up to a wall in my college bedroom. This was all back in 2008. Take a look at those first 3 cards. Its really amazing to reflect on my life and all that’s happened since then but I am amazed at what didn’t change in all these years.
Check out the early sketches of the Stormchaser at the bottom. I did those nearly 11 years ago... Puts a tear in my eye...
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Hey everyone!
As promised, now it is time for me to deliver an in-depth profile about my other main character, Chris Tinney, Freya’s partner and closest friend.
With this character, I wanted to think outside the box. I wanted to establish his queerness right away so that readers can have a very distinct view of who he is. Chris defies traditional conventions of masculinity as a sort of creative rebellion. When I first introduce him, he has colored his hair purple and he is working on a crossword puzzle to pass the time as he waits for Freya. (His hair, by the way, is generally black.) He is bisexual and considers his masculinity to be fluid.
Despite this open challenge to maleness, he is not the antithesis to the alpha male archetype. There is a darkness to Chris that will be explored in connection with his more feminine presentation. He is a warm person, affectionate and endearing, and this goes to hide a hint of rage stemming from a violent background that preceded his time as a police officer.
In my last update, I mentioned that Chris was an ENFP in contrast to Freya’s ENFJ. I want to break this down, just like I did with Freya:
Extroverted - Chris likes a good time. He enjoys parties and clubs and being around crowds. He also does a lot of casual dating, though has had few serious relationships, and none in recent years.He very rarely spends an evening at home, alone. Like Freya, he has a large circle of friends.
Intuitive - Like Freya, Chris is adept at interpreting how his own feelings interact with the outside world. While Freya’s intuition is a result of genius intellect, Chris doesn’t need to know the rationale behind his intuition to trust it.
Feeling - This is, perhas, where Chris is most similar to Freya. Chris has a strong sense of morality which is drawn from his conscience. He never ignores his gut when it tells him that something is wrong, even if it seems like the right thing. He doesn’t believe in sacrificing indiviudals for a greater good, or in collateral damage.
Perceiving - This is where Chris contrasts most heavily with Freya. While Freya likes having a detailed plan of everything she does, Chris is far more spontaneous. He is not very good to committing to any one thing or event, and he is always looking for better things on the horizon. "Maybe" is one of his favorite words. When Chris wants to do something, he does it with little forethought or planning.
Chris may be one of my favorite charcters out of all I have ever written. It is my greatest hope for this story that readers grow to love him just as much as I do.