
Well hello there my fellow sentients!
I won’t take too much of your time today. I just want to hit on three things very quickly. So let’s be efficient and get started!
1. Thank you so much for your support. I know! I know! I keep saying it, but you have to look at events from my perspective; one day I have a self published book and a year later I have a professionally edited, distributed and marketed piece of literature to call my own. I owe that to you and I never want to take that for granted.
2. Alright, now that we’re done with the gushing; I still need your help. Have you read The Life Engineered yet? Awesome. Did you like it? Super-awesome. Do me a favour would you? Go review it on Amazon and/or Goodreads. If I’m learning anything is that these reviews are more important that almost anything else and are the key to getting books in front of more readers. The Life Engineered has 65 reviews as of this writing. At 100 it will start popping up in newsletters and suggested books for readers. That is a huge deal.
3. Did you know I have another book funding on Inkshares? It’s titled A God in the Shed and is a completely different style (Fantasy/Horror) but I’ve been told it’s very promising. I’m aiming to get 750 pre-orders for it and with a little over a month left in my campaign I still need 245 orders. Being able to fund this book is part of the process to being able to campaign for more books in the world of The Life Engineered. I’d be eternally grateful (see point 1) if you could take a look at it and pre-order a copy and perhaps even share with friends.
That’s it! That’s all I had to say this time around. Thanks, review The Life Engineered, pre-order A God in the Shed.
Thanks for your time,
JF

Greetings friends,
Orders are trickling in, slowly crawling towards the ultimate goal of 750 and full publication on Inkshares. Now, we don’t need these to come flowing in. That would be greedy. However it would be better if they were streaming in.
We’ll get there, I’m sure. Making noise about this project is an ongoing effort and I’m nowhere near done ramping up.
But I’ve been asking a lot of my supporters and backers without offering much in return. The time has come to give back a little.
MAGIC!
If you’re hyper-sensitive to spoilers, you might want to skip what comes next. Go bully a friend into pre-ordering instead. However, if you don’t mind knowing a little more about the world in which A God in the Shed takes place, here’s your chance to learn about how magic works. I like to think that the backdrop of the world is just the set on which the play unfolds and it’s the story and characters who make the novel, so knowing how magic works won’t ruin your experience but instead might enhance it. That’s not for me to decide though, so consider yourself warned.
Reality
Before explaining how magic works, you need to understand something about reality in A God in the Shed. The greater world in which the story takes place is more than what we perceive it to be. Reality is infinitely complex and layered. So much so in fact that one could almost consider it sentient and self-aware. Reality is also composed of an unfathomably long list of rules. The laws of physics, causality, and so forth.
The three types of magic
Tricks: So named because of their very nature, Tricks are the closest to traditional magic found in A God in the Shed but in a very important way they are the least magical of activity. Reality, like any complex system, has gaps and loopholes. Errors in the code and flaws in the pattern. Through luck and experimentation over thousands of years, these gaps have been discovered and documented. There is no practical reason why they work and most of the effects are subtle but they all rely on a glitch in the fabric of reality. Like using cheat codes in an arcade game. The downside is that, like toying with a bug in some software, there are occasional side effects to exploiting errors in the code.
Divine Magic: Here’s a bit of a real spoiler; the god in A God in the Shed is an extra-dimensional entity. This means that it exists outside the laws of Reality. What is perceived as god-like power is in fact an immunity to the laws that regulate how the world works. This doesn’t mean the god is omnipotent. It has it’s own rules to follow, some of which might seem arbitrary to us. However, the god is powerful, so much in fact that simply interacting with it will change someone on a fundamental level. You can’t expect to stare into the eyes of a creature from outside reality and remain unchanged, to touch their skin without consequence. These ‘gifts’ are random and while occasionally powerful they may also come at a cost.
The Art: Have you ever listened to a piece of music and had your mood altered? Or looked at a painting and seen ideas blossom in your mind that you didn’t know the seeds were there to begin with? That’s art. It influences who we are and how we perceive the world. Now imagine that power pushed to its extreme expression. Music so perfect that it changes the world. A drawing so flawless that it become real. That, is Art, with a capital ‘A’. It is the more subtle magic in A God in the Shed but it’s the most powerful. Difficult to achieve, it depends on making something so perfect that Reality itself can’t distinguish that it’s artificial and starts treating it as real. Cooking a meal so good that it heals wounds or a dance so enthralling that gravity starts to forget to hold onto the performer. Art is almost impossible to perform and some will spend their entire lives trying to make it work without even flirting with success.
So there you have it; magic in the world of A God in the Shed. It’s simple and elegant, at least I think so. More importantly, it’s not a super-power. Magic is hard work and dedication. It’s knowing the right secrets and how to apply them. The only shortcut to magic is to literally touch the face of a god, an act that can have repercussion of biblical proportions. A God in the Shed is the story of how fragile humans, everyday people with their real, human problems, deal with a universe that is more vast and deep in it’s complexity while being utterly uncaring about their petty problems and lives. It’s terrible and beautiful and only the first part of a trilogy that I want to share with you guys.
Thanks for your support. Without you I’d have a very hard time getting this story out there.
Cheers,
JF

We have a spiffing new letterhead. Marvellous, isn’t it?
One more week before the pre-order sales campaign goes live. It’s so exciting I spent the last six hours failing to type this up. I did manage, however, to upload another Peterkin short mystery onto Wattpad: "The Thirteenth Rule", which is set just a little later than the stories I’ve uploaded so far. 1931, to be exact. It’s also less of a whodunnit and more of a whydunnit. Enjoy.
I’d like to take this opportunity to talk about JF Dubeau’s second novel, "A God in the Shed". Honestly, I think this beats his first novel. I’ve described it elsewhere as "a little bit Lovecraft, a little bit Twin Peaks", and I’m not sure I can sum it up better than that. The characters felt real and distinct from the moment I met them, and the world appropriately familiar. If you haven’t picked this up yet, I suggest you do so.
I’d also like to mention "Judith", by Zack Budryk, which just caught my eye today. It sold me within the first four paragraphs, with the easy flow of its prose and the way the personality of the viewpoint character is deftly and effortlessly conveyed. This will be a novel well worth getting, I think.
And that’s the news for this week. When next I post an update, it will be to announce the opening of the pre-order sales campaign. Until then, ladies and gentlemen!