Michael Valdez followed Cape’s Side Bay
Cape’s Side Bay
For years something has been lurking in Cape’s Side Bay. When the truth is revealed questions of mankind’s existence begin to be raised, and their worst fears are about to be realized.
Michael Valdez commented on Blurred Weaponry (Saints of the Void, Book 1)
Thank you so much for the commentary! Hmmm, I thought quote marks might be enough to separate past from present in the joke-y origin story, but you’re right, it’s takes a little time to establish that and I want people hooked in and wanting more instantly. Possibly, naming the characters earlier and saying they are together, waiting for the story to be told might do it. I’ll experiment with that soon, and thanks again!
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    Michael Valdez liked an update for A God in the Shed

    Greetings friends,

    Orders are trickling in, slowly crawling towards the ultimate goal of 750 and full publication on Inkshares. Now, we don’t need these to come flowing in. That would be greedy. However it would be better if they were streaming in.

    We’ll get there, I’m sure. Making noise about this project is an ongoing effort and I’m nowhere near done ramping up.

    But I’ve been asking a lot of my supporters and backers without offering much in return. The time has come to give back a little.

    MAGIC!

    If you’re hyper-sensitive to spoilers, you might want to skip what comes next. Go bully a friend into pre-ordering instead. However, if you don’t mind knowing a little more about the world in which A God in the Shed takes place, here’s your chance to learn about how magic works. I like to think that the backdrop of the world is just the set on which the play unfolds and it’s the story and characters who make the novel, so knowing how magic works won’t ruin your experience but instead might enhance it. That’s not for me to decide though, so consider yourself warned.

    Reality

    Before explaining how magic works, you need to understand something about reality in A God in the Shed. The greater world in which the story takes place is more than what we perceive it to be. Reality is infinitely complex and layered. So much so in fact that one could almost consider it sentient and self-aware. Reality is also composed of an unfathomably long list of rules. The laws of physics, causality, and so forth.

    The three types of magic

    Tricks: So named because of their very nature, Tricks are the closest to traditional magic found in A God in the Shed but in a very important way they are the least magical of activity. Reality, like any complex system, has gaps and loopholes. Errors in the code and flaws in the pattern. Through luck and experimentation over thousands of years, these gaps have been discovered and documented. There is no practical reason why they work and most of the effects are subtle but they all rely on a glitch in the fabric of reality. Like using cheat codes in an arcade game. The downside is that, like toying with a bug in some software, there are occasional side effects to exploiting errors in the code.

    Divine Magic: Here’s a bit of a real spoiler; the god in A God in the Shed is an extra-dimensional entity. This means that it exists outside the laws of Reality. What is perceived as god-like power is in fact an immunity to the laws that regulate how the world works. This doesn’t mean the god is omnipotent. It has it’s own rules to follow, some of which might seem arbitrary to us. However, the god is powerful, so much in fact that simply interacting with it will change someone on a fundamental level. You can’t expect to stare into the eyes of a creature from outside reality and remain unchanged, to touch their skin without consequence. These ‘gifts’ are random and while occasionally powerful they may also come at a cost.

    The Art: Have you ever listened to a piece of music and had your mood altered? Or looked at a painting and seen ideas blossom in your mind that you didn’t know the seeds were there to begin with? That’s art. It influences who we are and how we perceive the world. Now imagine that power pushed to its extreme expression. Music so perfect that it changes the world. A drawing so flawless that it become real. That, is Art, with a capital ‘A’. It is the more subtle magic in A God in the Shed but it’s the most powerful. Difficult to achieve, it depends on making something so perfect that Reality itself can’t distinguish that it’s artificial and starts treating it as real. Cooking a meal so good that it heals wounds or a dance so enthralling that gravity starts to forget to hold onto the performer. Art is almost impossible to perform and some will spend their entire lives trying to make it work without even flirting with success.

    So there you have it; magic in the world of A God in the Shed. It’s simple and elegant, at least I think so. More importantly, it’s not a super-power. Magic is hard work and dedication. It’s knowing the right secrets and how to apply them. The only shortcut to magic is to literally touch the face of a god, an act that can have repercussion of biblical proportions. A God in the Shed is the story of how fragile humans, everyday people with their real, human problems, deal with a universe that is more vast and deep in it’s complexity while being utterly uncaring about their petty problems and lives. It’s terrible and beautiful and only the first part of a trilogy that I want to share with you guys.

    Thanks for your support. Without you I’d have a very hard time getting this story out there.

    Cheers,

    JF

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