News! Good news, and not-so-good news.

Let’s get the not-so-good news out of the way. I’ve received word that the release of Unnatural Ends might be delayed another two or three months, though nothing is confirmed yet. This is, apparently, down to some marketing strategy: Inkshares wants to put some extra effort into getting this book into the public eye, and there might be something to aiming for a release in the spring as opposed to the middle of winter. They’re weighing the pros and cons now, and I’m trusting them to do what’s best.

In much better news, we now have a cover!

Credit goes to Tim Barber of Dissect Designs, who’s done some amazing work on a number of other Inkshares titles. For Unnatural Ends, he’s taken the fractured family situation at the core of the story and expressed it as a jumble of mismatched pieces forced together. Brilliance, I think.

Now we just have to wait for Inkshares to work their marketing magic (consider telling your local library) and for the book to make its way to the bookstore shelves.

We have progress, ladies and gentlemen! Cat’s Paw has always been only a working title, one I’ve wanted to change for well over a year now. And we’ve come to a decision: the book formerly known as Cat’s Paw will be published as Unnatural Ends ... a far better title, mainly because it does not conjure up pictures of cute kittens when you run it through Google.

Which also means these updates will need a new header:

If you head over to Amazon, you’ll find we also have a cover, though my understanding is that this is not final. The cover artist is still working on something much better. Still, having even a placeholder cover brings home the idea that this is really happening after all. I’m sure that, given the time this has taken some of you must have begun to give up, or cease to believe ... I know there was a sense of unreality about the whole process for me as well, towards the end.

Meanwhile, the proofs have come and gone. I heard mention of printing at the beginning of the next month, though I’m assuming that’s about the Advanced Reader copies for reviews and the like before the actual release. As I said: we have progress.

I’ve been remiss in sending out updates as we worked on yet-another draft. But now, some news: The Man from Mittelwerk is finished (huzzah!) and slated for publication in the first half of 2022.

It only took three years, 13 drafts and several major rewrites. Nonetheless, the book went through final copyediting (2,600 changes, ulp!) which called out innumerable grammar and consistency issues. The editor also helped us strengthen the emotional impact in key scenes.  

It took several late nights of bleary-eyed Track Changes editing to work through the easy edits. Then I passed it to my brother and co-author to deal with the harder issues, while I was out cycling in the rain for a week. He got through it, undid many of my changes, and handed it back to me. I undid only a few of his changes, finished some items he didn’t want to touch and voila, a finished manuscript. 

The next step is for the text to be laid out in a proper design, followed by a final round of proofreading and getting a cover designed. Since we’re done with the writing, I built a web site with some mocked-up covers, created in homage to a few authors you might know.

I’m really proud of the what we’ve written. It’s been a lengthy process, but the book is all the better for all the revisions. I shared a copy with another tech industry author, Eric Maikranz and he said:

“The Man from Mittelwerk is a mind-bending thriller that will keep you turning pages.”
– D. Eric Maikranz, author of The Reincarnationist Papers

So not too shabby.

If you haven’t read Eric’s book I highly recommend it. It’s a fascinating exploration of reincarnation and what happens if you remember your past lives. His book was the basis for the Mark Wahlberg time-travel CGI extravaganza Infinity. (Spoiler alert: The book is better!)

As always, thank you for your support of this long-suffering project. Let me know what you think of the fake covers below, what you’re reading and how you survived quarantine. But don’t hit reply to this email. Instead email me at ZUrlocker@hotmail.com.

Cheers!
--Zack

The House of Dust publishes today!

Supply-chain woes mean it’s displaying as "in stock soon" on many retail sites instead of "available now." So copies from Amazon, B&N, et cetera will arrive a little late. However, we do have copies in stock at Inkshares, so placing an order here would mean it’s shipped right away...

To anyone who’s already read, THANK YOU! Share your thoughts on Amazon, B&N, Goodreads, or wherever. You always here authors say it, and I’ll say it too: reviews really do help. 

And thank you to everyone who followed the project on its long journey to today.

Noah

Dear readers,

I hope you have not forgotten me. It has been quite a while, and I admit that things have progressed far slower than I’d hoped. I feel that much of that is my own fault, and that has made me reluctant to post any updates. However, it looks like we’re finally over the slump, and have something real to report.

The book went into copy edits just last month, and should be moving on to the next step within the next week or so. Apparently we have a publication date set for February 2022, so here’s hoping things go according to schedule.

As I’m writing this, the International Agatha Christie Festival is just entering its last day. I was invited to say a little something about Christie’s post-WW1 world, though the ongoing plague means my contribution has had to be online only. Rather a shame not to be there in person, but being "online only" means the video is now available on YouTube. Check it out here: Agatha Christie: Clues to the Post-War World. While you’re there, why not check out some of the other online talks and events for the festival?

Cheers to everyone; stay healthy, and happy reading.

Greetings, longsuffering friends. I have some news! It’s not THE news, but it is A news. Actually, it’s TWO news. But it’s definitely GOOD news!

The first news: my friend and fellow brilliant authorial mastermind, Kaytalin Platt, was gracious enough to interview me on her website about my most recent short story, Reliquary, which debuted in last year’s Writing Bloc anthology, Passageways. We get deep into my creative process and worldbuilding approach, not just for Reliquary, but for the entire Calling Void series as a whole. It’s a great interview, and I’m very excited to share it with all of you. Check it out here, and while you’re there, check out some of her other interviews from authors in the Passageways anthology, including her own!

And now, the second news, which I think will be even more relevant to your interests.

I can FINALLY proudly announce that Tantalus Depths is officially out of the development editing stage of production.

Those of you who have been following my updates for a long time might be having a “Wait, didn’t we already do that?” moment right now, and you’d be right. We officially finished development edits more than two years ago and were cleared to move on to the copy editing stage. BUT, what we did not expect or plan on at the time was that Adam Gomolin, the CEO of my publishing company, would take direct personal interest in my book and want to go through an additional round of development edits one-on-one with me. While it was definitely a bit frustrating to jump right back into development edits right after I thought we were done, that frustration was hugely outweighed by the opportunities that additional round of edits provided. Adam and I worked tirelessly together to transform Tantalus Depths into an absolutely brilliant book that I’ve never been prouder of, and even though the work was exhausting and the wait has been long, I think it will absolutely have been worth it.

For those of you who are not familiar with the publishing industry’s inner workings, a “development edit” is a round of edits that focuses on story-related things like plot development, character consistency, tone, pacing, and so on. Basically, the meat of a story. Development edits tend to involve significant rewrites; in my case, I’ve rewritten several chapters, added a few new ones, and reworked dialogue and narration to make the story sleeker, deeper, with a stronger core identity. The story and the characters are still absolutely true to my original vision, and the book overall is still the story I always wanted to tell. In fact, even though I’ve rewritten probably 80% of the words in the story at this point, I’m really just telling the exact same story I always have with much better words.

And so, after approximately 8 different drafts, I have finally gotten Tantalus Depths to a point that both Adam and I agree is ready to move on to the next step. The story is locked in now, and will change very little from now to publication day, but there are still a few steps to go in the process. The next big step will be the copy editing stage, which is another full round of edits that will, thankfully, take much less time. Copy editing focuses on simpler, more mechanical aspects of writing, such as grammar and word usage. This stage will not involve significant rewrites and should not require more than one or two drafts to resolve. I’m not going to throw out any time estimations, because I’m very, very bad at predicting things like that well, but where a draft of development editing could take me months, a draft of copy editing should take days.

Before we slide into copy edits, however, I have one special bonus surprise! Adam is hooking me up with an actual, honest-to God physicist to do a special “scientific accuracy pass” on the book. Tantalus Depths has always been designed with scientific accuracy in mind, but for all the hours of research I’ve put into it, I’m still just a layperson with a Bachelors’s in education. This special bonus round of edits will give us the chance to improve the accuracy of the science presented in this science-fiction book, and I couldn’t be more stoked about it.

So yeah, really big stuff is happening with Tantalus Depths! I wish I had a release date to give you all, but we aren’t quite there yet. I have been given a tenuous one, but Inkshares’ release schedule is still pretty flexible, and depending on how long the next phase of production takes, our actual release date could move forward or backwards, so I don’t want to announce anything until it’s more definite. Stay tuned, though! We are really making progress now.