Prologue
Regrets are the instruments by which we learn. We tend not to repeat those things we regret. A remorse, I think, is a much deeper thing. I tend not to dwell on regrets. For all the pain they’ve caused me, they have allowed me to grow and become a better man, sometimes despite myself. I regret how I treated my first love, but it taught me how to better live with my wife. I regret not working very hard in school, but now I know to apply myself in my work. I feel bad about the thin. . .
Prologue
Regrets are the instruments by which we learn. We tend not to repeat those things we regret. A remorse, I think, is a much deeper thing. I tend not to dwell on regrets. For all the pain they’ve caused me, they have allowed me to grow and become a better man, sometimes despite myself. I regret how I treated my first love, but it taught me how to better live with my wife. I regret not working very hard in school, but now I know to apply myself in my work. I feel bad about the thin. . .
Where did he come from? The POV character was trying to avoid a child. Maybe the indefinite "a homeless man" would work instead of the definite article.
This POV shift is called "head-hopping" and within one sentence, we go from Grey's thoughts (even if lost), to Alessandra's watching. Alessandra deserves her own scene, with an establishing transition that doesn't depend on knowing Grey's thoughts (unless telepathy was intended).