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Brian Fitzpatrick liked an update for Bane of All Things

Good morning, folks. Notice how more frequent these updates have become as we get down to the wire? (I can practically taste that wire, how about you?). 

No word yet on whether or not Bane of All Things has made the cut. The good news today is that the deadline has been extended a few more days. We are in bonus over-time now. If you or anyone on your contact list is still on the fence about pre-ordering, it’s time to commit.

And again, a sincere and humble thanks to all of you who have undertaken this journey with me and supported as best you can.

Cheers

Leo

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    Brian Fitzpatrick liked an update for Bane of All Things

    Hey, folks, some fantastic news to share! The clue is in the screen capture above from my campaign page -- that sticker that reads "Syndicate Pick."

    What does this mean? BoAT has been selected as the Staff Syndicate pick for February. It is a huge endorsement for which I am immensely grateful. A sincere thanks to fellow author Chip Colquhoun for putting BoAT forward for consideration. Check out his novel, Ripe for Execution. 

    For those of you who don’t know what an Inkshares Syndicate is, this is a group of people who contribute $10 or $20 a month to a pool and then use that to back a title in funding each month with a gift basket of pre-orders. There are and have been many syndicates over the years, for fantasy, science fiction, stories with strong female characters and other themes. The Syndicate that has chosen BoAT as its February pick is the Staff Syndicate. This is, as the name suggests, led by Inkshares staff. Anyone can opt in, including other Inkshares authors. (I am part of this Syndicate myself and cast the deciding vote on the January Syndicate pick.)

    What does earning this distinction mean for BoAT and this campaign? Frankly, I don’t know yet, but with only two days left, the answer to that question is going to come soon. So, as I said on Monday, help me finish strong -- keep those pre-orders coming by ordering another copy for a friend or family member, or even better, by prodding those friends or family members to pre-order their own.

    And if you have followed BoAT but haven’t pre-ordered yet, please, take the plunge!

    Cheers

    Leo


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      Brian Fitzpatrick liked an update for MINE

      Bonjour mes amis!

      Today is a good day because I identified the thing.

      Rewind to about a month ago, me following up on the delivery of MINE draft three, and a long discussion with the publisher. It was not the conversation I expected, and caused a true Come to Zeus moment. Also, a valuable learning experience once I’d recovered from the shock and worked through the 5 stages of grief. 

      I believe it was valuable enough to share with you, my friends.

      If you have a book in production with Inkshares, then you’re familiar with the Author Questionnaire. Check out number two below. It’s the question that needs to be answered to take the story to the next level (a.k.a. sell that shiz!).

      2) What is the hook that will really grab your reader? Please pitch the book in one or two sentences. This ‘pitch’ should be as pithy and captivating as possible.

      From the commercial perspective, I am an unknown author, aspiring to be a mid-lister, and not even regarded as an up-and-comer (to my knowledge) so the reality of creating a suspenseful thriller with snippets of beautiful prose in a compelling voice that has literary aspirations isn’t enough to sell the book. What I do have is thirty seconds and a paragraph on the back of the book cover.

      That’s my takeaway.

      So, I called a meeting with my dev editor. I said, no matter how much it costs, no matter what it takes, I want to get my hair cut into the shape of a dick head.


      Kidding. Lighten up. Been there, done that. 

      What I said was no matter the outcome here, publishing wise, let’s take this story to the next level. She said, aiiight, let’s do it. Then she gave me a new insight into a core theme of the book I hadn’t noticed, but knew in my heart she’d nailed it.

      Another big but, though, is how to illuminate the thing into the next iteration of the manuscript?

      I put it all aside, knowing I had to trust the process which involves a cult-like faith in the creative higher power that the solution exists in the giant playground where ideas run and jump and fall off the monkey bars, breaking their arms and chipping their teeth.

      Give it the space it needs, and all shall be revealed. Just don’t eat the sandbox treats.

      Last night I lay in bed, feeling a weight like swimming in an ice-cold lake with concrete mukluks. Then, I got up early because something was going on and not just because I had to use the bathroom.

      My process involves capturing precocious ideas when they throw rocks at me unexpectedly. This morning I went through those notes, compiled them into a document and parsed them into a solution, if not the solution.

      It involves a looping cycle like the worm Ouroboros, the book’s tail eating the beginning, and…BAM! There’s the manuscript, regurgitated on the pages. 

      At some point this spring or early summer, I’ll let you all know if this works, being good at completion to a deadline (once upon a time a young princess told me I had two minutes, the end).

      Here’s another takeaway.

      Nurture that germ that’s going to infect the reader and spread the story like a contagion across the pages, so it grows, unchecked, into…the thing...


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