When Morris Jenkins dies he is surprised to learn that he must watch his life on VHS with a sponsor.
Oh, hey, you’re still here?
Well, I’m glad you are! What’s going on with "To Live and Die in Avalon" you ask? Have I thrown in the towel and stopped working on it? Nope, not at all.
Hello dear readers,
A lot has been going on and that’s kind of why I’ve been rather discreet in my communications. Also, I bet with three contests currently vying for attention, you get enough emails already. So what could possibly have taken up so much of my time?
Let’s start with how I had to do revisions to the manuscript for A God in the Shed. I had already handed it in but after a meeting at WeedRoad Pictures in L.A. a few weeks ago, several ideas to further improve the story demanded to be put to the page.
WeedRoad Pictures? What the hell is that? Well, that’s the second bit of paralyzing news. A God in the Shed has been optioned by Skydance Productions through the help of Akiva Goldsman from WeedRoad (props to Greg Lessans and Alexandra Neil for their part. Amazing people). I can’t do this news justice but you can read the article by The Tracking Board if you want to know more.
So what does this mean? The short answer? I don’t know! It doesn’t mean that A God in the Shed is going to be a television show but rather that there are efforts behind making that happen. Needless to say that the book is in the hands of some incredibly talented and hard working people. I’m still reeling from the news and gathering the details myself, but as far as excuses for my silence, I think that’s the best I can do right now.
What’s next?
Let me finish this with a heartfelt ‘thank you’ to Adam Gomolin and Brooklyn Weaver who worked like tireless maniacs to make this happen, along with the rest of the Inkshares crew for their support and of course, you guys, the readers, without whom none of this would be possible.
On to the next step!
JF