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    Mark Sheldon liked an excerpt from Unscalable
    You guys need to go do precisely the opposite of what you've been doing. You should 1) pick one vertical, and make it something you personally care about, then 2) go really, really deep in that vertical and don't worry if it pulls you away from this legal marketplace idea.
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    Mark Sheldon liked an excerpt from Unscalable
    So we always do things manually first, and then figure out ways to automate and scale it once we understand it
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    James Richards

    Founder & CEO, Teleborder

    Guo: I know Teleborder was a pivot, but I'd love to go back to the beginning. How did you get started?

    Richards: Sure. So I'm a lawyer. Michael, my co-founder at the time was not a lawyer, but he hated lawyers because he'd had to deal with them a few times. And the worst part about dealing with lawyers was always feeling like you're getting screwed on bills. Lawyers are very, very expensive. They're also very opaque when i. . .

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    People who have recommended the chapter, James Richards, Teleborder

      Mark Sheldon liked a chapter from Villeglé and the Streets of Paris

      Jacques Mahé de la Villeglé (above) was attracted by the chaotic, multi-layered mix of words and images plastered on the walls of Paris—the DNA of his times. A photographer captured him  harvesting a work of art in 1970—the same year he made the image (below) titled "Les Halles Pavillon", 1970 (9 x 11 inches). 

      Ripping torn posters off the walls, Villeglé combined the surrealism of the found object with Abstract Expressionism and Pop Art. The. . .

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        Mark Sheldon liked a chapter from Slim and The Beast: A Novel

        Jennifer Dawton and Winston Fields used to run a quaint diner off Old Highway 86. It was a long, winding road slicing through dense forests and meadows grazed by cows and other four-legged creatures. The barns used to hold horses and pigs and chickens, but by the time The Beast was born, there were only machines. Still, when the Dawton-Fieldses relocated back in the eighties, there were no sub-divisions or shopping centers or cookie-cutter homes. Just tick-infested forests filled with agile an. . .

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        People who have recommended the chapter, Chapter 10 (Excerpt)

          Mark Sheldon liked a chapter from One Murder More

          Chapter 1   

                Maren Kane could barely make out the yellow dividing line a few feet in front of her through the thick, grey valley fog. Her shoulders tensed as she gripped the steering wheel, unsure which direction the narrow country highway would take next. The speed limit sign at 50 in reflective paint seemed a cruel joke.

                Maren was in her fourth year as chief lobbyist at Ecobabe Inc., a start-up specializing in modern, environmentally-friendly toys and games wit. . .

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          People who have recommended the chapter, Chapters 1-3

            Mark Sheldon liked a chapter from Cinnabar

            Porkchops Versus Drumsticks

                    Jose Sandoval is the administrator of Strunck R&D. Not a true scientist, though he has a working knowledge of everything from quantum mechanics to bioengineering to all the new fields. Teleportation, regenerative medicine, the works. He’s the uber spread sheet man, a magnum bean counter, and Papa Bear for any number of projects underway at the Labs. His office is tucked into a curve in the Strunck Collider, a 25-mile doughnut of double tub. . .

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            People who have recommended the chapter, Chapter 8

              Mark Sheldon liked an excerpt from Up to the Mountains and Down to the Countryside
              They sat together on the floor of the station, eating noodles from paper bowls. Bella told him of the town and its people and the places she had been, while Guillard listened impatiently, slurping at his food. He had already made his way through two oranges and a moon cake and an egg that had been steeped in tea, and the rinds from the fruit lay strewn about his person, like so many fallen leaves. As though he himself were deciduous in nature.
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              Mark Sheldon liked an excerpt from Up to the Mountains and Down to the Countryside
              Across the aisle, several old men squatted flat-soled in sandals, with their elbows on their knees and their forearms turned out, in what appeared to be a posture of either offering or defeat.
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