Amanda Orneck liked an update for The Traveller’s Cup

About two hours remain in the Nerdist contest. This is it, guys. Though I’d be ecstatic to jump into third in that time, the realist in me is already onto our next steps (but go ahead and spam your friends in the name of space dragons). 

Tonight I’ll send a full newsletter with any news and what we can do to make sure The Traveller’s Cup succeeds. 

You guys have been the best space crew a captain could ask for, and one way or another this book is going to end up in your hands. 

Your Overbearing Overlord, 

-Captain AC

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    Amanda Orneck liked an update for Pixilated Obsidian Roses

    In every form of madness, it was well believed in the divided mind of Thomas Rivenport, there were always two opposing, yet equally matched sides. Be it within the struggles between flesh and spirit, decay and sustenance or dark and light, once all the pawns were disposed of, all of the knights’ horses cut out from beneath them and all of the castle walls were fallen, two kings would stand across a vacant board littered with the ruin of their armies.

    Dark and light then faced off.

    The dark’s greatest armament, he conjectured further, was the simple impression that gray was the truth. Donning this façade, it would even deny its own existence, claiming that the idea of opposites was a myth conjured up by proponents of the light, for nothing would exist if their assumptions were true. For if equal opposites existed, they would surely cancel each other out.

    Therefore, the two enemies, each dependent upon the perpetuity of the other, were locked in the gray and thus demonstrating the tragedy of existence, like Narcissus gazing into a dried-up lake, his only reflection being his shadow cast upon the sand. The masks of comedy and tragedy, hanging from a cord on the branch of a nearby tree, sway in the breeze.

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      Amanda Orneck liked an update for The Madness of Mr. Butler

      My wonderful readers and followers...the day is upon us! The final day of the contest!

      And, here’s the funny part...despite being a writer, I’ve read this entire time that the contest ends at midnight, whereas the fine print states that it ends at 12pm PST, or...3pm this afternoon for those of us on the east coast...which means...

      LESS THAN FOUR HOURS LEFT IN THIS CONTEST!!!

      This contest has been a marathon of love and labor...blood, sweat, and tears...

      Thank you all for your support and love and, well, EVERYTHING throughout this contest. I still can’t believe that’s the finish line I see on the horizon. 

      I wish everyone in the contest the very best, no matter the outcome. This cup runneth over with outstanding talent. Let us all support each other. We can all get published.

      With such little time left in this contest, I’m certain that everyone’s efforts to place will be ramped up appropriately...as should mine. It’s only appropriate, as I love my book and want the absolute best for it. 

      Nothing is guaranteed until 3pm EST. Until then, if you haven’t ordered a copy of Mr. Butler, please consider doing so now. If you have, please take these next couple of hours to get just one other person interested enough to pre-order. 

      Thank you all for your unwavering support. I really can’t believe it’s all coming to a close today.

      Take care, everybody.

      Have a wonderful day.

      -Michael

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        Amanda Orneck liked an update for Lucky

        Dear Readers,

        TIME IS RUNNING OUT. This is it. The final 24 hours of the Nerdist Space Opera contest is upon us. I am sad to report that LUCKY is still trapped at number 5 and a very solid 75 UNIQUE READERS behind where it needs to be to win the book deal. We’ve had a good run, but I don’t see us making any Hail Mary plays in the next 24 hours to get us across that finish line.

        Chin up, though. I have a plan. If nothing else, we are only 25 copies from our Quill goal of 250. This is damn amazing, if you ask me. Your support and your faith in this novel are heartwarming and have kept me smiling over the past month and a half. 

        If we do not win tomorrow, the funding deadline for LUCKY will most likely be extended until May 2. We will take maybe a day to regroup, drink some more coffee and maybe eat a donut...then it will be 100 miles a minute back on this marketing stuff. Stay tuned for updates as we go along!

        As always, a thousand thank-yous for your support and faith!

        - Webster

        PS: Please forgive any typos...this message is being relayed from a mobile communications platform.  

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          Amanda Orneck commented on Suffrage - The First World Key
          Sarah I feel the same way. I’ve been wanting to find all the graphic novel projects for a while now, but it’s nearly impossible.
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            Amanda Orneck liked an update for Sync City

            Greeting Jackolytes,

            It took Phileas Fogg 80 days to journey around the world to win a 20,000 pound bet. It would take Jack nowhere near that long. And Jack doesn’t do bets for cash - he plays a bigger game.

            Jack has 42 days to get 80 more pre-orders - and that’s almost simple math. Saddle up, hit the gas and let’s get him home. Please pre-order if you haven’t already. Please pre-order if you have already. But most importantly share this link with your friends and family: www.inkshares.com/books/sync-city?referral code=9f560b73

            Cheers,

            Peter

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              Amanda Orneck liked an update for Space Tripping

              I just wanted to say Thank You. Your support has meant more than you could ever know. Thank you so very much. 

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                Amanda Orneck liked an update for A God in the Shed

                Greetings friends,

                Orders are trickling in, slowly crawling towards the ultimate goal of 750 and full publication on Inkshares. Now, we don’t need these to come flowing in. That would be greedy. However it would be better if they were streaming in.

                We’ll get there, I’m sure. Making noise about this project is an ongoing effort and I’m nowhere near done ramping up.

                But I’ve been asking a lot of my supporters and backers without offering much in return. The time has come to give back a little.

                MAGIC!

                If you’re hyper-sensitive to spoilers, you might want to skip what comes next. Go bully a friend into pre-ordering instead. However, if you don’t mind knowing a little more about the world in which A God in the Shed takes place, here’s your chance to learn about how magic works. I like to think that the backdrop of the world is just the set on which the play unfolds and it’s the story and characters who make the novel, so knowing how magic works won’t ruin your experience but instead might enhance it. That’s not for me to decide though, so consider yourself warned.

                Reality

                Before explaining how magic works, you need to understand something about reality in A God in the Shed. The greater world in which the story takes place is more than what we perceive it to be. Reality is infinitely complex and layered. So much so in fact that one could almost consider it sentient and self-aware. Reality is also composed of an unfathomably long list of rules. The laws of physics, causality, and so forth.

                The three types of magic

                Tricks: So named because of their very nature, Tricks are the closest to traditional magic found in A God in the Shed but in a very important way they are the least magical of activity. Reality, like any complex system, has gaps and loopholes. Errors in the code and flaws in the pattern. Through luck and experimentation over thousands of years, these gaps have been discovered and documented. There is no practical reason why they work and most of the effects are subtle but they all rely on a glitch in the fabric of reality. Like using cheat codes in an arcade game. The downside is that, like toying with a bug in some software, there are occasional side effects to exploiting errors in the code.

                Divine Magic: Here’s a bit of a real spoiler; the god in A God in the Shed is an extra-dimensional entity. This means that it exists outside the laws of Reality. What is perceived as god-like power is in fact an immunity to the laws that regulate how the world works. This doesn’t mean the god is omnipotent. It has it’s own rules to follow, some of which might seem arbitrary to us. However, the god is powerful, so much in fact that simply interacting with it will change someone on a fundamental level. You can’t expect to stare into the eyes of a creature from outside reality and remain unchanged, to touch their skin without consequence. These ‘gifts’ are random and while occasionally powerful they may also come at a cost.

                The Art: Have you ever listened to a piece of music and had your mood altered? Or looked at a painting and seen ideas blossom in your mind that you didn’t know the seeds were there to begin with? That’s art. It influences who we are and how we perceive the world. Now imagine that power pushed to its extreme expression. Music so perfect that it changes the world. A drawing so flawless that it become real. That, is Art, with a capital ‘A’. It is the more subtle magic in A God in the Shed but it’s the most powerful. Difficult to achieve, it depends on making something so perfect that Reality itself can’t distinguish that it’s artificial and starts treating it as real. Cooking a meal so good that it heals wounds or a dance so enthralling that gravity starts to forget to hold onto the performer. Art is almost impossible to perform and some will spend their entire lives trying to make it work without even flirting with success.

                So there you have it; magic in the world of A God in the Shed. It’s simple and elegant, at least I think so. More importantly, it’s not a super-power. Magic is hard work and dedication. It’s knowing the right secrets and how to apply them. The only shortcut to magic is to literally touch the face of a god, an act that can have repercussion of biblical proportions. A God in the Shed is the story of how fragile humans, everyday people with their real, human problems, deal with a universe that is more vast and deep in it’s complexity while being utterly uncaring about their petty problems and lives. It’s terrible and beautiful and only the first part of a trilogy that I want to share with you guys.

                Thanks for your support. Without you I’d have a very hard time getting this story out there.

                Cheers,

                JF

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                  Amanda Orneck followed Sylvain Gauthier
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                  TV Writer writing a novel in short stories.
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