It’s been a long time.
Hey, gang. Long time no update. The reasons are two-fold:
1) There hasn’t been much to say regarding the book.
2) I am bad at social media.
Regarding the first reason, I was recently told by Inkshares that there is a 50-book queue and my book is somewhere amidst. I don’t know precisely where, but I am hoping that it’s closer to the front than the back. What this means is that Disintegration not coming out soon. That bums me out and I hope it bums you out, too.
If you are bummed out, email email@example.com and tell them you want your MTV! No! You want your Disintegration!
However, if you’re over it by this point, I can’t feign shock.
I’m hoping you’re not.
I’d much rather you clamor and advocate for the book. So much of any book’s success on this site is based upon convincing Inkshares that there is money in a title. The way we do that is by selling copies. So, please, if you can think of any science fiction fan in your life looking for a deeply thoughtful, mature tale that unflinchingly confronts humanity’s foibles, direct them to Disintegration!
Don’t be over it; despite the glacial process, the book continues to elicit effusively positive feedback from a wide variety of readers, many of whom are not even regular sci-fi consumers. It warms my cockles to know that, despite the publish date being amorphous, the book still has such vast appeal.
At this rate, I may well wind up providing everyone a copy of the manuscript before the book goes to press. If you’d like to join the ranks of those reading what they’ve already purchased, pipe up and I’ll furnish you with a PDF, too!
As for the second point, I really wish I’d some social media skills because, had I that hustle, had I joined the right contest, had I done this thing or that thing differently from how things actually went, perhaps I could have joined the ranks of "fully funded" books. It’s a category that includes books that have sold equal or fewer copies than Disintegration, but instead received that golden ticket treatment and were swooped up to the Big Time.
I openly admit my envy. I want to see my book come to life. I want it to be seen and read and enjoyed, and any other wonderful possibilities that might arise from its publication.
Someday, they say. I eagerly await it.
Hey, everybody. It’s been about a month since I submitted the manuscript and wanted to dash off a quick note. I’ve yet to hear from the publisher, but when Disintegration’s moment comes up in the production queue, they’ll surely be in touch.
In the meantime, please check out Integration. Spend a little time in utopia before it all goes to hell. ;)
Yes, I’ve been quiet for a while. Didn’t feel like blowing you guys up with the same old "stuff is happening, *clickety clack*" even though I’ve been diligently at work.
I was awaiting the final round of feedback, and it was monstrously wonderful. Michael Haase provided it. He’s the author of The Madenss of Mr. Butler and an all around swell dude. Having incorporated many of his fine suggestions I can say ...
That is: I’ve submitted the manuscript to Inkshares!
What does this mean? It means that I cannot tinker and putter any longer. It means that however long it takes Inkshares to copyedit it, for me to approve the changes, and then for them to send it to press is how long you’ll wait to have it in your hands. It means that it’s finally happening. This book that seemed like it might never exist is coming. It’s real. It’s happening.
And it feels wonderful.
Thanks to all of you for all you’ve done for me. I’m grateful.
Hey, everybody. I was browsing the interwebs this morning, looking for things to distract me from what I’m sure all Americans and probably everyone else in the world knows is happening today ...
No, no, just kidding. Kind of.
Hey, all. Happy New Year.
I hope that, despite the glut of bad news with which we were bombarded -- and the losses of more iconic people in one stretch than I can previously recall -- your 2016 was full of good news for you.
On the second to last day of 2016, I decided to draw again for the first time in about 14 years, barring those few things I’ve sketched out over that long stretch of time. It’s a work in progress, but I’m pleased with the result. To draw the four sisters from Disintegration, I derived inspiration from that famous, yearly series of photographs of four sisters that’s been floating around the Internet.
From left to right: Manon, Michele, Agnès, and Karin (Carina). If you click the image, you can see a less red version of it on my Instagram (please follow and like, and all that good social media whoring ;P ).
While I work on the cover for the book and incorporate the edits I’m receiving, I’ll be working, too, on visually realizing the characters through drawings. I’ve always thought Carina’s backstory would make a compelling graphic novel. That’s a back-burner project I’d love to someday bring to life.
The bulk of my time has been devoted to writing Integration and it’s surprising me how different a novel it is, and will be, from Disintegration. It’s so much more subtly science fiction. Not quite blink and you’ll miss it, but it’s much more rooted in (a close extrapolation of) contemporary life without the high-stakes drama of dystopic world war. It’s actually really nice to be able to describe the blue skies overhead. :D
I hope you enjoy this glimpse of the lovely ladies of the Derouard / Duvais family. If you would like to join those who are currently reading the book (and, I’m happy to report, really liking it), let me know and I’ll send you the epub of the manuscript that John Robin was kind enough to make for me.
To close, allow me to crib from one person that, thankfully, stuck with us through 2016:
P.S. - Speaking of social media whoring, the facebook page for Disintegration has 69 likes. In the stilted English of my Russian cyborg Rozhenko: "Please to be the 70th" ... and beyond!
Chapter 24 is a pivotal one in which a lot of things go down, one of which is a huge, violent melee incited by Major Gardiner, one of the major (ahem) characters. Gardiner is thin and he goes a little crazy. I describe him as context for the following little bit, which I especially enjoyed reading:
“I need my mitts,” Macaluso said to no one in particular. He lumbered over to a teenaged boy who had climbed down from one of the transports.
“Get me my mitts,” Macaluso demanded.
The boy looked at him, unsure whether to mouth off or not.
“Don’t fuck with me, kid, or I’ll sick that skinny psycho on you. He’ll pull your head out through your asshole and then I’ll fucking punt it back onto your shoulders just for good measure.”
The boy’s eyes widened and and he scrambled back into the truck, procuring Macaluso’s mitts.
“Thanks, kid,” Macaluso said. “Good choice.”
Budapest is proving the ideal place to get some work done. I’ve made a lot of headway the past two days and am a mere handful of chapters away from finishing this revision of the manuscript.
Once done, I’ll deliver it to John Robin and Michael Haase and they’ll provide the last round of feedback. After that, it’s delivery time.
Hey, everyone. It’s a rainy day in Bilbao, which makes it a perfect morning to get some writing done. I leave for Barcelona in a few hours.
I’ve excised 19 pages worth of over-exposition. The manuscript is getting leaner, the pacing is much improved. I’m trusting myself that I’ve imparted the important bits and I’m trusting that you can infer my intentions, rather than explaining every minute detail to death.
Again, it’s a little hard to buckle down and work each day when I’m constantly on the move, but I’m chipping away. I expect this to be either the final or penultimate edit and I’m over 2/3 of the way through.